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Friday, 10 October 2014
Cinemacollages 3: Animixion
CINEMACOLLAGES 3: ANIMIXION, in which Ergo Phizmiz takes a slice across the history of animation and sets their music and sound-designs ballroom dancing with one another.
Containing sound and music from the films of....
Jan Lenica
Stefan Schabenbeck
John Halas
Ryan Larkin
Raoul Servais
Bob Godfrey
Zlatko Grgic
Gene Deitch
Len Lye
Dusan Vukotic
Bruno Bozzetto
Walt Disney
Pierre Hebert
Jiri Trnka
Like this? Why not dip into the heady world of Ergo Phizmiz's Cinemacollages 1 & 2?
Wednesday, 19 June 2013
Thursday, 18 October 2012
Cinemacollages Volume 2
Sunday, 3 June 2012
Ergo Phizmiz creates UPMIX16 "The Only Union Jack I Want to See is Union Jacques" for UpItUp Records
Sunday, 8 April 2012
Electronic Music 2001-2006
An emptying of the cupboard, 30 previously unreleased nuggets of electronic music by Ergo Phizmiz spanning five years. From the jazz-sample-collage of "Alethea", to the party-electropop of "Ferret", to the 1920s Broadway hip-hop of "Lazy Bleat's Legs", to the ethereal circus synth waltz of "Trapeze", to the abstract glitch funk sound-poetry adventure of "Arpolage", this is as unique a collection of electronic music as you are likely to find in a month of Sundays. Which would mean a lot of roast dinners with this kaleidoscopic odyssey of blips and bloops as your musique d'ameublement. So there you are.
Put that in your special pipe and smoke it.
Including collaborations with Blank Beats, The Travelling Mongoose, & Martha Moopette. Michael Jackson, Hans Arp and Harpo Marx also rear their lovely heads. Close listeners may also spot a 9 year old Vulnavia Vanity shouting about trousers.
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| Ergo Phizmiz backstage, wondering where it all went so wrong.... |
This album was recorded in York, Billingham, Lincoln, Withern, London, Newport, Freshwater, & Ventnor, 2001-2006. Collated and Mastered in Bridport & Withern, 2011-2012.
All the tracks are made by the arranging of sampled and recorded sounds on a timeline. No MIDI was injured in the recording of these pieces.
Listen, spread the noises, tell your friends.....
Thursday, 1 March 2012
New Ergo Phizmiz electronic album - "Music For Your Party" - Free download
We present for your delectation a new mini-album, 27 minutes of rhythmic electronic sample music and sound-collage by Ergo Phizmiz.
It is intended, as the title implies, for parties and right royal knees-ups, but can be listened to at your discretion (or indiscretion) in any chosen environment or context.
* (Any of the rare breed of Ergothusiasts may be interested to know this is the first of Ergo's works produced entirely using the taking, juxtaposition and processing of samples in a timeline since 2007, back in the heady days of Phuj Phactory & 1000 Year Mix. Goodness gracious. It must be something they put in the water....)
NOW - put on your dancing shoes, buy a few bottles, and have a party.
Created Bridport, March 2012, at the kitchen table.
Cover photograph by Martha Moopette, of Ergo Phizmiz, in the aftermath of a party appropriate to listening to this album, dressing up as a chauffeur in Zombina's house. And why not, eh?
Sampled on this album are: Art Shaw, Augustus Pablo, Die Todliche Doris, Anton Webern, Pete Um, Delia Derbyshire, Bohislav Martinu, Der Plan, Anthology of Dutch Electronic Music, Kosmos, Klaus Nomi, Puaj-Ahem's Glitchy Bitchy, Kraftwerk, Erik Satie, Moondog, Arnold Schoenberg, The Cheeky Girls, Claudio Monteverdi, Daphne Oram, Sounds to Come, Little Richard, various bits and pieces from Youtube....amen....
This album is dedicated to the simply gorgeous Elvis Herod, may he rot like an abandoned vegetable languishing in the early morning of yesterday's market....
Wednesday, 6 October 2010
"M: 1000 Year Mix" - 2010 Remaster
"M: 1000 Year Mix" was composed between 2005-2006. The only Ergo Phizmiz composition created entirely out of samples (excluding works like "Cinemacollages", which he doesn't consider his own compositions in the same way), the work is a hunt for dialogues between the music of diverse times and cultures, from 1000-2000 AD. Not a "mix" in the conventional understanding of the word, samples are treated as raw material to be spliced, reshaped and assimilated, creating new melodies and progressions from tiny fragments of this raw material, exploring the interior of how music works, and how music transforms across geography and the passing of time.Part One is an exploration of Tonality and Atonality in music. Part Two is on the subject of Noise and Ambience. Part Three is a play with the developments of Technology and their relation to music. Part Four is about the usage of the human voice. Part five about Rhythm. Part six is the final amalgamation, or, if you like, the party at the end.
"M: 1000 Year Mix" is not a piece that professes to give any clear answers to any overriding questions about music. It is, like all of Ergo Phizmiz's works, "playing" music, or "playing with music", exploring with a wink and a cheeky, perhaps slightly lascivious grin the internal mechanisms of how music works.
Like the majority of Ergo Phizmiz's works, it was generally ignored by the mainstream media, though not for the want of press-releases and promos! However, as has become habitual the forward thinking magnificence that is the blogosphere came through, and amongst a myriad other bloggings across the web, the piece was described in this way:
"Imagine a playlist of music spanning a complete millenium, mashed-up and masterfully mixed together so that the listener slides backward and forward through time, almost like a non-linear evolutionary chart of the sonic experience. Those who like a bit of experimentation in their music may find this composition as genius as I did. Kerouac had his "On the Road," Michaelangelo had his "David," and Phizmiz has his "M: 1000." Every artist has his masterpiece." - Jots From The Flipside, 2006
This was supposed to be the beginning of a projected long line of sample-driven works from Ergo. What happened instead was this piece wore out his capacity to create entirely sample based music, and he had no option but to return to other forms of composition.
Remastered June 2010 by Ergo Phizmiz. Cover photograph taken by Simon Perry (ventnorblog.com), at the 2006 "M: 1000 Year Mix" exhibition.
Monday, 20 September 2010
Cinemacollages : Volume 1

A series of sound-collages on cinema and animation, comprising: "Sounds of Soviet Animation" Volumes 1 & 2 (mixes of sound-design and music from the Soyuzmultfilm Studios), "Betty Boop" (a mix of sounds from the legendary Fleischer animations), "Trnka / Trojan / Novak" (comprising of sound-effects from Jiri Trnka's collaborations with composers), "Laurel & Hardy Ubermash" (a mash-up of various hollerings, clangs, and music from the Hal Roach era L & H films), and "A Fantasia on Jan Svankmajer" (a whistlestop tour of stop-motion and Surrealism).
These collages were created 2006-2009
The pieces included here were originally created for Ergo Phizmiz's Phuj Phactory on WFMU, except "Trnka / Trojan / Novak", which is previously unreleased.
Within these collages you will hear music and sound-design from:
Zdenek Liska * Ideya Garanina * A. Babaev * N. Bogoslovski * Alfred Schnittke * A. Babaev * Yuri Norstein * B. Shapner * V. Dashkevich * Vadim Kurchevsky * Nina Shorina * Natalia Golovanova * Anatoly Petrov * M. Meyerovich * A. Khrjanovsky * V. Shumova * L. Atamanov * Ivan Ivanov-Vano * N. Serabryakov * E. Artemiev * Laurel & Hardy * Zoltan Kodaly * Charles Barlow & his Orchestra * Captain Wiggly-Hips * Edvard Grieg * Tchaikovsky * The Mike Sammes Male Voice Choir * Raymond Scott * The Avalon Boys * Auf Zum Schutzenfest * Ludwig Koch * Louis Armstrong * The Beau Hunks * Woody Allen * Groucho Marx * Max Fleischer * Sammy Timberg * Jan Svankmajer * Jack Hylton * BBC Radiophonic Workshop * Bernard Herrmann * The Marx Brothers * Esquivel * John Tavener * John Cage * Paul Bowles * The Brothers Quay * Leszek Jankowski * Bert Kaempfert * Luis Bunuel * Brian Easdale * Gyorgy Ligeti * Jiri Trnka * Vaclav Trojan * Jan Novak
Cinemacollages Volume 2 – Orson Welles / Karel Zeman's Magic Composites / Laurel & Hardy: Static / The Dream of Alfred Hitchcock is a work-in-progress ....
Thursday, 28 January 2010
The Faust Cycle over 14 days at Cerebralrift.org
Keep up to date at Cerebralrift.
Friday, 1 January 2010
The Faust Cycle - Download from Headphonica

or, The House of Dr Faustus
-Released 1st January 2010 on Headphonica -
Written, Composed, Performed & Produced by
Ergo Phizmiz
Project consultants
James Nye, Martha Moopette, The Travelling Mongoose
One afternoon Ergo Phizmiz finds himself lumbered into delivering a parcel to the house of legendary alchemist and necromancer Dr Johann Faustus who, since the events of some time ago for which he is renowned, has entered into a rather quieter life in a vast, labyrinthine house, with hundreds of lodgers running the gamut from artists, birds, bird-people, walking fictions, ventriloquists, a Cassowary, running chairs, walking gramophones, and myriad automata.

This enormous dream fable, told through speech, songs, collage and sound-design, is the result of over three years delving down various rabbit-holes, and features collaborations in a range of contexts with artists of many disciplines, including Jack Phoenix, Margita Zalite, Pete Um, Angela Valid, Bela Emerson, Martha Moopette, Amie Willingale, and Zenith Pitts.
In glorious radiophonic technicolour, it is a musical-comedy of disorientation and magick, somewhere between nightmare and the half-remembered childhood whimsy of an insomniac music-hall artiste.
Download the entire 15 hours, complete with magnificent artwork from Moritz Grunke and friends, free, from the marvellous Headphonica.
The project is supported by Arts Council England, Soundart Radio, Vaguely Marsupial Productions, VentnorBlog, Quay Arts
Sunday, 13 December 2009
Turkey Party

Ergo Phizmiz presents dessications of all your favourite Yuletide hits.
An album cut from the Christmas specials of Phuj Phactory on WFMU (2006), and Sticky White Glue on Resonance FM (2003).
Download it free, at the WFMU Free Music Archive.
Tuesday, 22 September 2009
Ergo Phizmiz & The Travelling Mongoose DJ at the Design Museum
The exclusive set will mix the nature and found-sound recordings of The Travelling Mongoose, with instrumental, experimental and furniture music by Ergo Phizmiz created over the past ten years including many new and unreleased pieces, a spot of 78-RPM recordings, and junkshop vinyl.
DESIGN OVERTIME
FESTIVAL
FRIDAY 25 September
6 - 10pm last admission 9.15pm
A last chance to see Super Contemporary at a spectacular late opening, not only is it the London Design Festival but it’s our 20th Birthday too! See the exhibitions and take part in debates and workshops set to a blend of music and entertainment.
Enter the Birthday Cake Bakeoff and make us a cake inspired by iconic design. The best cakes will be put on display for one night only to help us celebrate our twentieth birthday. Email overtime@designmuseum.org or download the Bakeoff brief for details of how to enter and delight in the culinary climax at the Design Overtime. Brace yourselves for our Silent Disco to provide you with a personal soundtrack by which to boogie whilst you draw in the Super Contemporary exhibition.
Tickets £5 in advance, includes entry to all current exhibitions
Go to Design Museum website.Thursday, 2 July 2009
People Like Us & Ergo Phizmiz "Rhapsody in Glue" Now Free!

The second People Like Us & Ergo Phizmiz album "Rhapsody in Glue" can now be downloaded free at Ubuweb.
People Like Us & Ergo Phizmiz are pleased to announce the release of a new online-only album, "Rhapsody in Glue".
Following the success of the critically acclaimed "Perpetuum Mobile" CD of 2007, renowned UK collagists / composers People Like Us & Ergo Phizmiz reunite for "Rhapsody in Glue", a cycle of bricolage-ballet-music, skewed-waltzes, and skewiff-pop.
There is a story behind every album, and with "Rhapsody in Glue" we find a unique approach to constructing a record. Both long-term contributors to New York radio station WFMU, People Like Us & Ergo Phizmiz decided to publicly tear apart their respective practices and create an album "in the open", presenting on a seafood-filled-platter the process of collaborative collage composition - informally discussing and jabbering nonsense to one another, resulting in the "Codpaste" free podcast series. "Rhapsody in Glue" is the culmination of the ideas explored in the podcast series.
"Rhapsody in Glue" continues in the bizarre ballroom vein of their previous efforts together, however,increasing the sonic palette into textural depths previously uncharted in their work. If "Carmic Waltz" is an expressionist painting by aged ballroom dance teacher who's eaten the wrong kind of mushrooms in her soufflŽ, then "Gary's Anatomy" is a slice of pure absurdist pop shot through with slabs of exotica and Ethel Merman. Recurring through the record is an apparent obsession with Prokofiev's "Troika (Sleigh Ride)", which merges and mashes with Burt Bacharach and Queen on "Snow Day", and lapses into pure fantasy on the almost entirely acoustic "Withers in the Whist", jarring with Ergo's strange, Victoriana obsessed lyrics. Then on "Dancing in the Carmen" we discover what happens if Nana Mouskouri is thrown into a pot with Peggy Lee and let simmer for 10 minutes, whilst "In The Waking" shimmers along on multitracked guitars, meandering melodies, and music boxes.
Friday, 26 June 2009
"Sticky White Glue" download time .... and then some "Codpaste"!

The first release in the Collected Radio Works by Ergo Phizmiz, spanning over 30 hours of experimental radio across sound-collage, spoken-word & radioplays, large-scale instrumental compositions, songs, ambient & furniture music, musique-concrete, installations, and sound-poetry, produced between 2000-2008.
"Ergo Phizmiz's Sticky White Glue, a twelve-part series of sound montages--voices, music, and plunderphonic juxtapositions of the two--reminds us why radio has been described as "schizophonic," packing more disembodied sounds and voices than the ear can process" - Artforum magazine
This series "Sticky White Glue" first aired 2003-2004 on Resonance FM, London, and was repeated 2009 on Soundart Radio, Dartington. Segments of the pieces were also broadcast by Kenny G on WFMU. It is a fanciful play-around with the juxtapositions of instruments & voices with sampling and digital composition, and features as its main protagonists Stan Laurel & Oliver Hardy.
Download it at WFMU's Free Music Archive.
And then, blimeyblimey, we are are delighted to also present a permanent archive of "Codpaste" by People Like Us & Ergo Phizmiz.
"Codpaste" was a weekly podcast series in which the two artists attempted to compose collage music from the very beginning, in a "work in progress" style, attempting to open up the creative process. The theory is that it is rare to see compositions made from the outset, and usually the audience are only invited in once the piece is finished, done and dusted. These weekly programmes were expanded into a digital-only album entitled “Rhapsody in Glue”.
Download Codpaste at Free Music Archive.
Thursday, 7 May 2009
Sounds of Soviet Animation Rebroadcast on Soundart Radio
In the show, you hear such gems as ...
Ideya Garanina "Cabaret"
A. Babaev "Story of One Crime"
N. Bogoslovski "My Green Crocodile"
Alfred Schnittke "Butterfly"
Yuri Norstein "Tale of Tales"
V. Dashkevich "Mountain of Dinosaurs"
B. Shapner "Man in the Frame"
A. Babaev "Story of One Crime"
Vadim Kurchevsky "Liberated Don Quixote"
Alfred Schnittke "Ballerina on a Boat"
M. Meyerovitch "Fox & Rabbit"
Alfred Schnittke "Glass Harmonica"
Nina Shorina "Door"
Natalia Golovanova "Cat & Clown"
Anatoly Petrov "Singing Teacher"
M. Meyerovich / Y. Norstein "Hedgehog in the Fog"
N. Golovanva / V. Artemov "Boy is a Boy"
A. Khrjanovsky / V. Shumova "King's Sandwich"
V. Tarasov "Contact"
A. Petrov "Firing Range"
I. Ivanov-Vano / Tchaikovsky "Seasons"
N. Serabryakov / E. Artemiev "Ball of Wool"
Ergo's Soundart Radio show broadcasts 2-3pm UK time on Thursdays. Listen online here.









