Media playing games with itself, with Ergo Phizmiz as slightly cruel ringmaster.
Image as music, sound as image, re-filming films, personalisation of the past.
Adventures in intermedia storytelling, and the use of chance to "grow narratives" from the collision of media and time.
Carousels of images, circles of sonic juxtapositions, slapshod re-contextualisation, silent music, discovery of rhythms hiding in the gaps and the creases.
Animation, composition, found-video, found-sound, found-text. Paper, Scissors, Stones.
The production of the Noel Coward trilogy was assisted by contributions from Martha Moopette, Simon Mathewson, The Travelling Mongoose, and Flora Cavalino Bertolli.
- Part One -
"Aria For Cowards"
- Part Two -
"The Impulse to Shoot at Every Shadow"
- Part Three -
"Every Hitch and Every Hold Up"