Showing posts with label robert ashley. Show all posts
Showing posts with label robert ashley. Show all posts

Wednesday, 6 June 2012

Ergo Phizmiz with Alessandro Bosetti, Lula, Maciej Cieślak, Julia Ziętek, and DJ Lenar play Robert Ashley's "Purposeful Lady, Slow Afternoon" - NEW CD Out now


Queen Ergo Phizmiz the 1st of England is delighted to announce this new, handsomely packaged CD release on Populista, a division of Bolt Records curated by Michal Libera.

Comprising a live recording made in Warsaw during September 2011, a 20 minute interpretation of Robert Ashley's disturbing piece, interleaved with cut-ups of Michael Winner's "Winner's Dinners" column.

Created in collaboration with  Alessandro Bosetti, Lula, Maciej Cieślak, Julia Ziętek, and DJ Lenar.

A limited number will be available to buy shortly through ergophizmiz.net ... if you just can't wait, you can order the CD at Monotype Records.

Populista is a brilliant series of releases, and every installment of the series is highly recommended. If you want Costes performing the Marquis de Sade, Bernard Schutz & Reinhold Scheindl performing Schumann, or Rinus Van Alabeek performing Luc Ferrari, then this is the place to get them.

Thursday, 29 March 2012

Ergo Phizmiz News and Upcoming

Many treats approaching in a quick burst of Phizmiz news...


Coming very soon....







"Conversations With Birds" - Deeply in production at the moment, the new radiophonic kaleidoscope from Ergo will broadcast on Bayerischer Rundfunk later in 2012. Created in a mixture of English, German, Polish, and Bird Language, with a right motley crew of brilliant collaborators including Denis Kundic, Patrick Sims, Margita Zalite, Oblivian Substanshall, Robin Gill, Caroline Stupnicka, & Martha Moopette.


"The Grinder" - A multimedia adventure / performance / installation event created in collaboration with Joel Cahen at NewToy as part of his Interzone project, intended for premiere at Shoreditch Festival 2012.


"It's a Sin" - Ergo's beefy cover version of the Pet Shop Boys song will be released on vinyl on Care in the Community Recordings very soon.....


"Care in the Community" - A short opera for the next Tete-a-Tete: The Opera Festival, premiering August 2012.


"The Keystone Cut-Ups" - The marvellous Illegal Art are releasing a DVD of the 2010 collaboration between People Like Us & Ergo Phizmiz, which explores the relationships between silent-comedy and early avant-garde cinema, to an original musical score. This release will happen towards Autumn-time.


"Ergo Phizmiz with Alessandro Bossetti, Maciej Cieslak, DJ Lenar, Lula, Julia Zietek, plays Robert Ashley's Purposeful Lady Slow Afternoon" - Released on Populista/Bolt Records shortly. Recorded live in Warsaw, 2011.


"The Old Man of the Mountain" - Ergo is working on elements of the sound-design for the electronic puppet opera by Patrick Sims / Les Antliaclastes Marionettes, which opens in Lausanne, Switzerland, on September 11th 2012.


and....


"Eleven Songs" - The brand spanking new album of songwriting by Ergo Phizmiz, 3 years in the making, is released in Summer on Care in the Community Recordings. 

Friday, 2 March 2012

Ergo Phizmiz Eats The Heart of Robert Ashley

Where I stood
I stood and waited
Where I stood
I stood and thought
I stood and thunk

And thunk it hard

The night before
I'd found myself
before the television
I wore no trousers
and I laughed
at a televised funeral

Where I stood
I looked up and thought
About years ago
when I would fill
these cavernous spaces
with the deep and drawn-out
voices of wolves
and wolf men

The lady prostrate
laying out her soul
before a merciful God
is sexy

Then there I stand
and “Here lies the heart
of Robert Ashley”

In a little room
the wolf will squeal
In here
the wolf will roar
I will steal the heart
of Robert Ashley
and I will run away
with this little petrified
flesh biscuit

in a sandwich bag
in my pocket

then I will go home
and play piano

then I will stand and think
for a long, long time

then I will eat the heart
of Robert Ashley

then I will play piano
until my own heart stops

or at least until
my fingers ache a bit






I will steal the heart
of Robert Ashley

then I will run away
and nobody will find me

Robert Ashley will love me
like he has never loved
another man
And I will keep
him in my pocket

The lady who prays
will turn around
and see me with
sharp objects
she will see me
reach into the walls

my arms like
a cucumber plant
reaching for the sun

she will see me
steal the heart
of Robert Ashley
and she will see me
run away
with the heart of
Robert Ashley
in my pocket
in a sandwich bag

and she will roar
like a deep-wolf
in a cavernous space

I will run for a long time
with the heart of
Robert Ashley
and I will never stop running
until my own heart stops

or at least
until my feet ache a bit

Then I will sit a long time
and think
and I will hold the heart
of Robert Ashley
to my ear
and it will whisper to me
the prayer of the prostrate lady

When the heart has
finished its recital
I will open it
with a penknife

It is almost dust
it is not a cavernous space
from inside the heart
of Robert Ashley
the wolf will squeal
but only dogs will hear

And thus I, Robert Ashley, prove
that the heart of man belongs to dogs
that the heart of music belongs to dogs
that the world belongs to dogs
and that dogs are cavernous spaces

I will stand still
I will wave at dogs
until my heart stops
or at least until my arm aches a bit
I will cut out my heart
and feed it to the dogs who wave back
then I will lay on my back
with no trousers on
and no heart
and no Robert Ashley
and no dogs
and no lady
and no afternoon
and no funeral
and no telephones
and no television
and no sandwich bags
and no flesh
and listen, finally, to the voice of the wolf.


* written in Warsaw, September 2011

** passages of this piece appear in the new Classwar Karaoke compilation

*** Ergo Phizmiz Sextet performs Robert Ashley's "Purposeful Lady Slow Afternoon" is out very soon on Populista, part of Bolt Records.

Thursday, 1 September 2011

Playback Play : Three American Composers - Ergo Phizmiz in Warsaw 05/09/11 - 12/09/11

Ergo Phizmiz is participating in Playback Play, in Warsaw, September 2011.

He will be creating a collaborative work based on the early operas of Robert Ashley, plus a performance of solo piano songs & improvisations.

PLAYBACK PLAY.



 THREE AMERICAN COMPOSERS


6-12.09.2011



Robert Ashley / Morton Feldman / Alvin Lucier


*


Frank Denyer, piano / Ergo Phizmiz, everything / Hilary Jeffery, trombone / Alessandro Bosetti, voice, electronics / Maciej Cieślak, guitar, voice, electronics / Edyta Fil, flutes / Michał Górczyński, clarinet / DJ Lenar, turntables / Paweł Nowicki, glockenspiel / Mikołaj Pałosz, cello / Julia Szproch, voice / Julia Ziętek, violin






Zachęta Art Gallery / Instytut Awangardy / Chłodna 25 / Powiększenie / Nowy Wspaniały Świat






There is a domination in every triangle, they say. Two allies dominate the third. In the Ashley / Feldman / Lucier trinagle there is as many rotating alliances of the two against the other as you wish. Number one, let's say: involvement with the voice. Two: graphic scores. Then: composing dying sounds rather than the notes. And so it goes, endlessly, because there is an infinite number of experimental techniques in the works and lives of this triangle.






Despite its selectivity Playback Play is by now the most comprehensive presentation of the works by the three american composers in Poland (perhaps). But also – not really. Their works are sometimes almost impossible to present. Fine, Feldman is very precise but Lucier's pieces as they survive are close to being hypothetical. They need to be checked out rather than presented in front of the audience. And Ashley? Where are his early operas? The librettos are incomplete and if you are lucky enough to know them – you see they are not precisely the same as the content of the very few and incomplete recordings. What they seem to be altogether is perhaps a grand theory of disappearing. The disappearance of the reverberating sounds in Feldman. The disappearance of speech in noise – Lucier. The disappearance of the recordings and the scores of the Ashley early operas. This is the most we can have. But at least let's have it as an airy way to approach the agony of contemporary music which – it seems – dies out just like their sounds and pieces. Playback Play is an arch from the performances of the pieces to pure phantasies on the ones which are not there anymore. Or to put the same thing in other words: a week long session of musicians who agreed to broaden the compositions of the three american composers with their own experiences and iterests.






06.09.2011, TUE (free entry)


----------------------------------------






Nowy Wspaniały Świat, 20.00,


--- Electronic transformations of speech


Alessandro Bosetti + Maciej Cieślak, Hilary Jeffery, DJ Lenar


- Alvin Lucier, Duke of York


- Alvin Lucier, The Only Talking Machine of that Kind in the World


- Alessandro Bosetti, It is an Island






07.09.2011, WED (free entry BUT obligatory reservation: michal.libera@gmail.com)


----------------------------------------






Instytut Awangardy, 20.00:


--- Trombone + pure waves


Hilary Jeffery solo


- Alvin Lucier, Wind Shadows


- Hilary Jeffery, Tromboscillator






08.09.2011, THU (free entry)


----------------------------------------






Zachęta, 19.00:


--- Radio broadcast [Morton Feldman]






Zachęta, 20.00:


--- Early Feldman


Frank Denyer + Edyta Fil, Paweł Nowicki, Mikołaj Pałosz, Julia Ziętek


- Morton Feldman, Only


- Morton Feldman, Projection 1


- Morton Feldman, Durations 2


- Morotn Feldman, Projection 4


- Morton Feldman, Extensions 3


- Morton Feldman, Durations 1


- Morton Feldman, Why Patterns?






09.09.2011, FRI (20 zł)


----------------------------------------






Powiększenie, 20.00


--- Free noise & songs & Lucier's “Bird and Person Dyining”


Alessandro Bosetti, Maciej Cieślak, Hilary Jeffery, DJ Lenar, Mikołaj Pałosz, Julia Szproch






10.09.2011, SAT (20 zł)


----------------------------------------






Chłodna 25, 19.00:


--- Lecture [Robert Ashley]






Chłodna 25, 20.00:


--- Opera, Operas, Operandi


Alessandro Bossetti, Ergo Phizmiz + Maciej Cieślak, DJ Lenar, Julia Szproch, Julia Ziętek


- Alvin Lucier, Sacred Fox


- Robert Ashley, That Morning Thing / Wolfman Motorcity Revue (incl. Woflman, Automatic Writing, Purposeful Lady Slow Afternoon etc.)


- Alvin Lucier, Opera with Objects






11.09.2011, SUN (free entry)


----------------------------------------






Chłodna 25, 13.00:


--- Ergo Phizmiz solo piano






Zachęta, 19.00:


--- Radio broadcast [Alvin Lucier]






Zachęta, 20.00:


--- Resonanses


Hilary Jeffery + Frank Denyer, DJ Lenar, Mikołaj Pałosz, Julia Szproch


- Alvin Lucier, Music for Cello with One or More Amplified Vases


- Alvin Lucier, Still Lives


- Alvin Lucier, Letters


- Robert Ashley, In Memoriam... Esteban Gomez






12.09.2011, MON (free entry)


----------------------------------------






Zachęta, 20.00


--- Late Feldman


Frank Denyer solo


- Morton Feldman, Triadic Memories










The project has been co-financed by the Culture Bureau of Warsaw

Thursday, 14 July 2011

Playback / Play Festival - Warsaw, September 2011

Ergo Phizmiz will be collaborating on productions of Robert Ashley's almost invisible early operas at Playback/Play festival, aswell as performing a set of solo piano & vocal compositions and a short concert of music for toys.



SEPTEMBER 6 – 12, 2011







Playback Play






Wojtek Blecharz – flute
Alessandro Bosetti – laptop, voice
Frank Denyer – piano
Michal Gorczynski – clarinet
Hilary Jeffery – trombone, tromboscillator
DJ Lenar – turntables, sound
Pawel Nowicki – percussions
Mikolaj Palosz – cello
Ergo Phizmiz – everything
Julia Szproch – voice
Julia Zietek – violin




playing music by Robert Ashley, Morton Feldman, Alvin Lucier and each other






Various Venues, Warsaw, Poland